Lemonwood Quarterly Winter 2025

A Necessary Assumption
by D.P. Snyder

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Heat
by S.D. Brown

Title image for a story in the Lemonwood Quarterly Winter 2025 issue from Ester Garber’s Boardwalk and Beach, 1939. The Metropolitan Museum of Art, New York, NY.

Title image from Helen Hyde’s Survival of the Fittest, 1916. Smithsonian American Art Museum, Washington, D.C.

Title image from Gladys Kleinman’s Bermuda Bound, 1940. The Metropolitan Museum of Art, New York, NY.

Title image for a story in the Lemonwood Quarterly Winter 2025 issue from Alice Pike Barney's, The Letter, 1927. Smithsonian American Art Museum, Washington, D.C.

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God is Still Speaking
by David Cody

Title image from Isobel Bates’s Corner, 1941. The Metropolitan Museum of Art, New York, NY.

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Rats
by Nicole Rosevear

Title image from Ida York Abelman’s Man and Machine, 1929. The Metropolitan Museum of Art, New York, NY.

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This Winter 2025 Issue of The Lemonwood Quarterly was our inaugural issue. Our first Call for Submissions went out on December 6, 2024, and our first issue was published on February 5, 2025. We are deeply honored and humbled by these first contributing writers who were willing to take a chance on our fledgling magazine.

Tails of the Eighth Year
by Sean Heffron

Title Image for a story in the Lemonwood Quarterly Winter 2025 issue, created from Berthe Morisot’s 1890 painting, The Artist’s Daughter with a Parakeet. National Gallery of Art, Washington, D.C..

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On Tenderness
by M.A. Kyriacou

Title image from Evelyn de Morgan’s Study of Arms for The Cadence of Autumn, 1905. The Metropolitan Museum of Art, New York, NY.

Title image from Mary Newbold Sargent’s Temple of Minerva, 1904. The Metropolitan Museum of Art, New York, NY.

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BONUS STORY from the annals of history!

In addition to the fabulous stories from our contributing authors, every issue of The Lemonwood Quarterly offers readers one lesser-known story plucked from years gone by, very much worth revisiting with contemporary eyes. We are pleased to bring you:

Her Groove

(published in Live Stories, May 1919)

by Ethel Watts Mumford

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