Every issue of The Lemonwood Quarterly features a single artist whose artwork appears on the magazine cover and on all the title page images for each story. Find out more about the highly talented artists who have contributed to The Lemonwood Quarterly!
Tina Berrier is a mixed-media artist who works primarily in acrylics, exploring themes of abstract expressionism. Tina’s work has won numerous awards and has been exhibited at Creative York, HIVE Artspace, York Art Association Galleries, The Art Association of Harrisburg, Café 1500, Gallery at 2nd, Tutoni’s in York, Smith Gallery in New Cumberland, and The Brain Vessel Gallery in Mechanicsburg, PA. Tina is currently a part of the “Nothing Pretty Group,” whose focus is on ‘low-brow’ and pop art. Her art studio is located at The Millworks in Harrisburg, Pennsylvania, where, along with acrylics, she enjoys working with collage, found objects and assemblage, and digital art. Tina has a college-aged daughter and a recently adopted dog named Penelope. Her painting If Women Were Cryptids #2 (Spirit), can be seen on the cover of the Fall 2025 issue of The Lemonwood Quarterly, and eleven additional pieces by Tina appear as the title page artwork for the stories in this same issue.
Kennan Hutchins is an artist and a musician, living and working in Potsdam, Germany, twenty miles southwest of Berlin and all its cultural institutions. As an artist, Kennan works primarily with acrylic and ink on canvas or paper, creating abstract works on a large scale. He has participated in numerous exhibitions, most recently in Potsdam’s Cafe Matschke. As a musician, Kennan has a deeply heartfelt connection to chamber music and new music. Originally from Ohio, Kennan Hutchins’ parents were both musicians, and Kennan studied the violin with Donald Weilerstein and the viola with Abraham Skernik. He has been a part of hundreds of chamber music performances, including with The Nuremberg State Philharmonic Orchestra. Kennan’s painting, The Plan, is featured on the cover of the Winter 2026 issue of The Lemonwood Quarterly. Eleven additional pieces by Kennan Hutchins appear as the title page artwork for the stories in this same issue. You can see more of Kennan’s artwork at Atelier Ken Hutchins and on his Instagram page @Hutchinzzz.
Pam McKnight, a plein air artist specializing in painting and assemblage, paints primarily in outdoor settings, creating powerful pieces that celebrate the beauty and force of nature. Originally from New Jersey, Pam started painting at the age of eight, studying under a Dutch oil painter. She completed her MA in Art and Museum Education from the University of North Texas, and taught art for over 20 years at various schools in the state, where she came to be named Outstanding Art Educator for the State of Texas. Now living in Idaho, Pam has been inducted into the Boise City Public Art Academy. Her painting has been featured in many group shows, as well as several solo shows, and she has two public art pieces in Idaho. Pam’s work has appeared on the cover of the Boise Weekly multiple times. Pam is currently enjoying her third year as Artist in Residence at the Tallac Historic Site in South Lake Tahoe. Find more of her work at https://boiseartist.wixsite.com/pammcknight/art. Pam’s painting The Mountains are Calling, can be seen on the cover of the Summer 2025 issue of The Lemonwood Quarterly, and eleven additional pieces by Pam appear as the title page artwork for the stories in this same issue.
Nancy Panganiban is the Arts Editor for The Lemonwood Quarterly. She is primarily a painter and produces artwork that examines the natural world and its inhabitants, as well as our connection or disconnection to it. Starting in high school and throughout her college years and beyond, Nancy has focused on the natural sciences —especially geology and paleontology, the visual arts, and the fascinating intersection of the two realms. More of Nancy’s fabulous creations can be found Art by Nancy Panganiban. Her painting, Pollen Nation, appears on the cover of the Spring 2025 issue of The Lemonwood Quarterly. The title page art for all the stories in the Spring 2025 issue was created from details taken from Nancy’s very large and intricate cover art painting.